Sundays got picked up by Warner Bros., I am only assuming to adapt into a full length feature. But that was 4 years ago.

Anyway, moving on from the ineptitude of major Hollywood studios.

Existential dread, memory, the apocalypse. This is a cocktail of all three, and it is fantastic. This is a proof-of-concept short which is visually unique, taking cues from Gilliam, Blomkamp (yeah, I know) and a little Kubrick too.

I can only hope Warner Bros. pull their finger out and let director Mischa Rozema make this, or let him move on to pastures new.

The synopsis is as follows:

The end of the world seems like a nightmare to Ben. A memory of a past life that doesn’t belong to him. When Ben starts to remember Isabelle, the only love he’s ever known, he realises she’s missing in his life. An existential descent into confusion and the desperate need to find out the truth begins. This reality depicts a stunning, surprising and dark world. A world that is clearly not his.